Reunited at a wedding after many years, former lovers again feel the pull of a mutual attraction neither is willing to admit. Escaping the reception for the privacy of a hotel room, the unnamed pair explore the choices of the past that led them to the present.

One-on-one interview show focusing on business, politics and entertainment.

At the center of this story is Aurora Guerra, a popular actress who became a star in the teen series "The Chosen Ones" at an early age. Irene and Julio, Aurora's parents, signed her up for a casting several years ago and the matriarch, realizing that the decision was between her and another girl, managed to play the casting director in Aurora's favor. Lúcia has the same dream: to be a successful actress and decides to apply for the casting as well, but she soon realizes Irene's scheme and decides to confront her. After a violent argument between the two, Lúcia ends up having an accident that almost took her life and killed her chance of becoming an actress, due to the physical disabilities she was left with. Twenty years later, Lucia is determined to take revenge. The young woman wants to get back what she believes Aurora has taken from her, far from imagining that she is just a victim of Irene's evil deeds.

An idealistic British drama school teacher, Jodi Rutherford, persuades a cynical South African farmer to prepare her for a role in a major film as an Afrikaans war heroine. In return Jodi undertakes to direct the annual concert on the Willemse farm. Jodi's interaction with the quirky small town citizens and the stubborn Kobus, teaches her that: "there is more to life than lights... camera... and action!"

Ashlyn longs to be on stage, but her inability to accept herself keeps her from pursuing that dream. When confronted with the opportunity to audition for the lead role in her school's play, Ashlyn must decide whether to hide who she is or risk showing herself.

Ashlyn longs to be on stage, but her inability to accept herself keeps her from pursuing that dream. When confronted with the opportunity to audition for the lead role in her school's play, Ashlyn must decide whether to hide who she is or risk showing herself.

"John Smith's Leading Light evolves a sense of screen depth and surface through the simple agency of light. The film is shot in a room over a period of a day and records the changes in light through the single window. The image is controlled through manipulation of aperture, of shutter release, of lens, but the effect is more casual than determined and the spectator is aware primarily of the determining nature of following sunlight." 　　Deke Dusinberre 'Perspectives on British Avant-Garde Film' catalogue 1977

暂无剧情简介

An unforgettable journey into the depths of human existence, while David Dastmalchian guides his guests through discussions that delve into personal reflections on mortality, legacy, and the afterlife, all while lying down in Titan caskets.

An unforgettable journey into the depths of human existence, while David Dastmalchian guides his guests through discussions that delve into personal reflections on mortality, legacy, and the afterlife, all while lying down in Titan caskets.